200 years after being plucked from obscurity to marry the Crown Prince of Korea, the Red Queen's ghost decides to set the record straight about her extraordinary existence, and Dr Babs Halliwell, with her own complicated past, is the perfect envoy.

The red queen

This is the story of Humphrey Clark and Ailsa Kelman, who spent a summer together as children in Ornemouth, a town by the gray North Sea. As they journey back to Ornemouth to receive honorary degrees from a new university there-Humphrey on the train, Ailsa flying-they take stock of their lives over the past thirty years, their careers, and their shared personal entanglements. Humphrey is a successful marine biologist, happiest under water, but now retired; Ailsa, scholar and feminist, is celebrated for her pioneering studies of gender and for her gift for lucid and dramatic exposition. The memories of their lives unfold as Margaret Drabble exquisitely details the social life in England in the second half of the last century.

The Sea Lady

Revenue récemment au roman avec La Sorcière d'Exmoor (Phébus, 2002), Margaret Drabble, dent toujours dure mais cœur ouvert à toutes les compassions, persiste et signe avec ce livre, largement salué par la critique outre-Manche. L'héroïne de La Phalène est clairement donnée comme un double de la propre mère de l'auteur. Occasion pour Mrs Drabble de lancer quelques cruels coups de sonde dans l'histoire de ce XXe siècle qui a vu, dit-on, les femmes s'émanciper - mais dans une culpabilité qui laissait une place bien étroite à leur épanouissement intime. Occasion surtout de brosser le portrait d'un être violemment partagé, une sorte d'Emma Bovary des Midlands, intelligente et bridée pourtant par la convention provinciale, égoïste, odieuse même, et touchante dans la mesure où elle ne peut faire autrement que de refuser toutes les issues qui pourraient s'offrir à elle. Une insatisfaite qui s'accomplirait non dans la transgression mais dans la dépression chronique - dont elle tire au reste de réelles voluptés. Enfin, toutes faiblesses confondues, l'un de ces êtres têtus, indestructibles, qui sont à eux seuls des condensés du mystère humain.

La Phalène

Just thirty-eight-years-old, Anthony Keating's already survived both a divorce and a heart attack. He has left the BBC for the dangerous life of property speculation in the boom-and-bust 1970s, and is brooding on the oil crisis, galloping inflation and the slump in his grand house in the British countryside. His only stroke of good luck in an otherwise collapsing life is his new lover, the beautiful actress Alison Murray. But when Alison's daughter Jane is arrested while traveling in Eastern Europe, Alison rushes to try and save her, and Anthony soon follows and finds himself caught by the strife and hardships of the communist bloc. Set against a backdrop of the Cold War and the political turmoil that led England to Margaret Thatcher, The Ice Age tells the story of three people desperately seeking firm ground amidst chaos with Margaret Drabble's characteristically "high degree of intelligence and irony" (The New Yorker).

The Ice Age

Barbara Halliwell, on a grant at Oxford, receives an unexpected package-a centuries-old memoir by a Korean crown princess. An appropriate gift indeed for her impending trip to Seoul, but Barbara doesn't know who sent it. On the plane, she avidly reads the memoir, a story of great intrigue as well as tragedy. The Crown Princess Hyegyong recounts in extraordinary detail the ways of the Korean court and confesses the family dramas that left her childless and her husband dead by his own hand. When a Korean man Barbara meets at her hotel offers to guide her to some of the haunts of the crown princess, Barbara tours the royal courts and develops a strong affinity for everything related to the princess and her mysterious life. Barbara's time in Korea goes quickly, but captivated by her experience and wanting to know more about the princess, she wonders if her life can ever be the way it was before.

The Red Queen

Jane and Malcolm Gray's marriage is characterized by sexual unhappiness and the growing apathy they both feel toward one another. When Jane is confined to bed rest while pregnant with their second child, Malcolm realizes he must escape, leaving Jane in the care of her dear friend and cousin, Lucy, and Lucy's husband James. After Jane gives birth, Lucy and James alternate nights with her, and it is during this time alone together that Jane and James fall in love, beginning an affair as marked by guilt as joy. Through Jane's struggle to reconcile her relationship with James with her friendship with Lucy, Margaret Drabble gives us an intimate look at a woman caught between the claims of sexual awakening, maternal love and friendship.

The Waterfall

Les mauvaises langues essayaient de nous faire croire depuis une dizaine d'années que Margaret Drabble avait renoncé au roman. La dame il est vrai, célèbre pour son insolence, ne s'était pas fait que des amis : ils en seront pour leurs frais. Avec cette histoire de vieille dame indigne qui tire un magistral - et pathétique - pied-de-nez à la triste et insipide société d'aujourd'hui, la romancière non seulement nous prouve qu'elle n'a pas perdu la main mais rajoute encore quelques gouttes de citron à sa recette. Déjà traduit dans plusieurs pays, La Sorcière d'Exmoor a emballé la critique anglaise... que l'écrivain pourtant n'avait pas toujours ménagée. Ce que résume ainsi le Sunday Times : " Margaret Drabble est de retour, et dans sa plus grande forme. "

La Sorcière d'Exmoor

Publié en 1987 (et l'année suivante en traduction française), La Voie radieuse est sans doute le roman le plus ambitieux de Margaret Drabble -celui en tout cas qui a conquis le plus large public. La descente aux enfers d'une femme à qui tout jusque-là semble avoir réussi. Un classique de la quête de soi et la démolition sans pitié de cette construction en trompe-l'œil qu'on appelle le succès.

The red queen

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